All the Arts Under One Roof

architecture, art, design, digital art, frame, pattern

This is the last assigned project of my undergraduate program. The task was to re-work a previous project from one of our earlier studio courses with the purpose of build on upon it (rather than fixing or improving it). I chose a simple drawing exercise I did in my drawing class; an orthogonal projection of a building (Sage Art Center).

Orthogonal projections are interesting to me because they don’t represent the object as in a perspective, but rather describe it, and in a way, abstract it or reconfigure our understanding of it. The idea of showing architecture in a way different from how we commonly perceive it fascinates me.

Layout2 sage universes (1) SAGE

I decided to accurately draw the ceiling plan of Sage Art Center, which is essentially an open plan building consisting of 25 columns, and

My goal was to further abstract something that is already abstract and unnoticed–a building/architecture. I like to graphically interpret architecture in an effort to show viewers unseen or unthought-kiof aspects/possibilities of a building they regularly use and perhaps (probably) barely notice.

At the same time, I like geometry and patterns, and architecture is all about that. Sage is a perfect square with multiple geometries embedded in the form of column grids, mechanical chases, light fixtures, etc. Perhaps people can look at the ceiling and its elements (for the first time) as things other than random utilitarian interventions, and find some order and even beauty in what at first seems like an undefined structural chaos.

Visual Essay: Yoshitoshi’s “Heron Maiden” and Appropriation Art

appropriation, art, college

Taiso Yoshitoshi was a legendary Japanese print-maker. He distinguished himself for his thematic: traditional Japanese legends. Demons, warriors, maidens… His prints are characterized by their rich color, complex compositions and high level of detail.  Here is a great website to learn more about him.

When discussed in class last semester, I dwelt in the notion of flatness that these prints convey because of their composition. As an exercise of appropriation art, I decided to dig further into this idea of flatness and “nowhere space” that many of these prints present through their light background color gradations.

My subject? The Heron Maiden print.

My goal? To “locate” the maiden within its space in Yoshitoshi’s terms; that is, the flat environment of the print.

Following up is a reconstruction of my process, step by step. Enjoy.

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HeronFront

HeronBack

Heronmaiden1

Heron and Maiden in Space

Heron Maiden Space Study